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DTSTART;TZID=America/Los_Angeles:20200423T171500
DTEND;TZID=America/Los_Angeles:20200423T174500
DTSTAMP:20200509T194229Z
CREATED:20200419T001525Z
LAST-MODIFIED:20200509T194229Z
UID:4294-1587662100-1587663900@amplifymusic.org
SUMMARY:09 - Music Education -- The Intertwining of Educational Disruption and Music Disruption
DESCRIPTION:Music Education\n						April 23\, 2020 | 5:15 PM PDT / 6:15 PM MDT / 7:15 PM CDT / 8:15 pm EDT\n						\n						Watch Session on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Education – The Intertwining of Educational Disruption and Music Disruption (Session 9)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Frank Heuser\n					Professor\, Music Education\, UCLA Alpert School of Music\, Los Angeles\, CA\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Jami Duffy\n					Executive Director\, Youth on Record\, Denver\, CO\, USA \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Laura Clark\n					Director of Programs\, House of Blues Music Forward Foundation\, Las Vegas\, NV\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Kelsey Smith\n					Programs Director\, Young Musicians Foundation\, Los Angeles\, CA\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Education and Music Change\nMusic education is disrupted from its normal local delivery and relationships with schools and gatherings. We will share some local sagas and examples of how music education has been rethinking its delivery and its role/connection with the local music communities. \n			\n				\n				\n				\n				\n				Links from the Session:\n  \nYMF Online Music Academy\nYouth On Record\n			\n				\n				\n				\n				\n				Contacts:\n  \nKelsey Smith: Kelsey@ymf.org
URL:https://amplifymusic.org/event/09-music-education-the-intertwining-of-educational-disruption-and-music-disruption/
CATEGORIES:Changing Social Norms,Panel,Shared Lived Experiences,Social Fabric and Human Experience,Tech As Live Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T191500
DTEND;TZID=America/Los_Angeles:20200423T194500
DTSTAMP:20200504T071123Z
CREATED:20200418T224426Z
LAST-MODIFIED:20200504T071123Z
UID:4760-1587669300-1587671100@amplifymusic.org
SUMMARY:13 - Music Resilience in Malaysia
DESCRIPTION:Music Resilience in Malaysia\n						April 23\, 2020 | 7:15 PM PDT / 8:15 PM MDT / 9:15 PM CDT / 10:15 pm EDT | 10:15 AM April 24 Malaysia Time MYT\n						\n						Watch Session on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Resilience in Malaysia (Session 13)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Dr. Mayco Santaella\n					Ethnomusicologist\, Popular Music Educator\, and Head of the Film & Performing Arts Department\, Sunway University\, Malaysia \n					\n					Facebook\n				\n			\n				\n				\n				\n				\n				Sunway School of Arts\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Azmyl Yunor\n					Independent English and Malay language Singer-Songwriter\, Multi-Instrumentalist\, Academic\, Writer\, Klang Valley\, Malaysia \n					\n					FacebookXLinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Resilience in Malaysia\nDr. Santaella and Azmyl Yunor will share what the pandemic has done to music and music ecosystems in Malaysia.  \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\nSunway University\nMusicians for Musicians Malaysia\nFestival Duduk Rumah\nChange.org Petition: Malaysia Event Industry In DIRE STRAITS!
URL:https://amplifymusic.org/event/13-music-resilience-in-malaysia/
CATEGORIES:Changing Social Norms,Human Health & Resilience,Panel,Shared Lived Experiences,Social Fabric and Human Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T011500
DTEND;TZID=America/Los_Angeles:20200424T013000
DTSTAMP:20241009T001109Z
CREATED:20200418T224430Z
LAST-MODIFIED:20241009T001109Z
UID:4308-1587690900-1587691800@amplifymusic.org
SUMMARY:23 - Transformation of Music Cities
DESCRIPTION:Futures 15: Transformation of Cities\n						April 24\, 2020 | 1:15 AM PDT / 2:15 AM MDT / 3:15 AM CDT / 4:15 AM EDT / 9:15 am BST (London)\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Transformation of Cities (Session 23)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Dr. Adam Behr\n					Director\, Live Music Exchange; Lecturer in Contemporary and Popular Music at the International Centre for Music Studies\, Newcastle University\, Edinburgh\, UK \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Futures 15: Transformation of Cities\nSocial distancing and stay-at-home orders have temporarily reconstructed where and how consumers enjoy music. When the bans and restrictions are lifted\, how will our musical lives fit into spaces and places that have been altered by massive behavioural and regulatory shifts? What might be the challenges for cities in recovering from lockdowns\, adapting to new relationships with national governments\, truncated economies and new patterns of travel and communication.  \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nUK Live Music Census\n\n\nLive Music Exchange\n\n\n			\n				\n				\n				\n				\n				Contact:\n  \nAdam Behr: adam.behr@newcastle.ac.uk
URL:https://amplifymusic.org/event/23-transformation-of-music-cities/
CATEGORIES:Changing Social Norms,Futures 15
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T034500
DTEND;TZID=America/Los_Angeles:20200424T041500
DTSTAMP:20200509T171755Z
CREATED:20200422T172515Z
LAST-MODIFIED:20200509T171755Z
UID:5606-1587699900-1587701700@amplifymusic.org
SUMMARY:28 - How the COVID-19 Crisis May Change the Format of Music Itself
DESCRIPTION:How the COVID-19 Crisis May Change the Format of Music Itself\n						April 24\, 2020 | 3:45 AM PDT / 4:45 AM MDT / 5:45 AM CDT / 6:45 AM EDT\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How the COVID-19 Crisis May Change the Format of Music Itself (Session 28)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Bas Grasmayer\n					Founder\, MUSIC x TECH x FUTURE\, Berlin\, Germany \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Tim Exile\n					Founder\, Endless\, London\, UK \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How the COVID-19 crisis may change the format of music itself\nLooking at music’s history\, it has always been outside forces that dramatically changed the way we experience music and how music is made. Through anecdotes\, this talk explores how electric light\, iron casting\, mass consumerism\, and the internet all played a role in changing the format of music\, and how the current crisis may change music itself once again\, and the music business with it\, through social distancing\, localism\, and virtual experiences.\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nEndlesss App\n\n\nColin Benders – Modular Synths\n\n\nTim Exile’s Site\n\n\nMusic x Tech x Future
URL:https://amplifymusic.org/event/28-how-the-covid-19-crisis-may-change-the-format-of-music-itself/
CATEGORIES:Changing Social Norms,Futures,Panel,Tech As Live Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T060000
DTEND;TZID=America/Los_Angeles:20200424T063000
DTSTAMP:20200511T173734Z
CREATED:20200418T133034Z
LAST-MODIFIED:20200511T173734Z
UID:4317-1587708000-1587709800@amplifymusic.org
SUMMARY:32.2 - How the Music Industry in Latin America Perceives the Impact of the Pandemic
DESCRIPTION:How the Music Industry in Latin America Perceives the Impact of the Pandemic\n						April 24\, 2020 | 6:00 AM PDT / 7:00 AM MDT / 8:00 AM CDT / 9:00 AM EDT / 8:00 CDT\, COT (Guadalajara\, Cali)\, 9:00 CLT Chile\, 10 AM ART Buenos Aires\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How the Music Industry in Latin America Perceives the Impact of the Pandemic (Session 32.2)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Robert Singerman\n					SVP\, International Publishing\, Lyricfind; Partner\, SyncSummit; Co-Founder\, The Chile\, Argentina\, Brazil (CAB) Music Trade Mission Tour\, New York\, NY\, USA \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Sergio Arbelaez Ospina\n					Director\, FIMPRO (Music Networking); Direction of Cultural Affairs\, University of Guadalajara; Director General\, imusic-school; Director de Contenidos\, Circulart\, Mexico \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Denisse Flores Somarriba\n					Directora del Centro de Innovacion e Inteligencia para el Desarrollo de las Artes\, Universidad de Guadalajara; Co-Fundadora y Directora Artistica\, Females Sessions AC\, Guadalajara\, Guadalajara\, Mexico \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Cédric David\n					Co-Owner\, AFROPICKS.org; Assocciacion Latin Americana de Managers & Angentes Musicales (MMF LATAM); CEO\, CECOM MUSICA\, Cali\, Colombia \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How the Music Industry in Latin America Perceives the Impact of the Pandemic\n  \nJoin this panel of music connectors working across Latin America and hailing from Mexico\, Columbia\, and New York on how the music industry in Latin America is shifting and engaging across countries and communities.
URL:https://amplifymusic.org/event/32-2-how-the-music-industry-in-latin-america-perceives-the-impact-of-the-pandemic/
CATEGORIES:Changing Social Norms,Panel,Practical Actions,Shared Lived Experiences
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T063000
DTEND;TZID=America/Los_Angeles:20200424T070000
DTSTAMP:20200511T173035Z
CREATED:20200418T130034Z
LAST-MODIFIED:20200511T173035Z
UID:4318-1587709800-1587711600@amplifymusic.org
SUMMARY:33 - Latin America: Challenges For a Society that Understands Itself Through the Public Gathering
DESCRIPTION:Latin America: Challenges For a Society that Understands Itself Through the Public Gathering\n						April 24\, 2020 | 6:30 AM PDT / 7:30 AM MDT / 8:30 AM CDT / 9:30 AM EDT / 8:30 CDT\, COT (Guadalajara\, Cali)\, 9:30 CLT Chile\, 10:30 AM ART Buenos Aires\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Latin America: Challenges for a Society that Understands Itself Through the Public Gathering (Session 33)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Nicolás Madoery\n					432 HERTIZIOS\, Argentina \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Gerry Rosado\n					Founder\, Relatable; Intolerancia Lable\, ADIMI member\, Mexico \n					\n					\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Max De La Fuente\n					Founder & CEO\, GrooveList\, Chile \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Ana Rodriguez\n					Founder\, Relatable\, FIJATE QUE SUAVE\, IMMF Board Co-Chair\, Mexico \n					\n					\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Latin America: Challenges for a Society that Understands Itself Through the Public Gathering\n  \nWe will be joined by live and digital music leaders from Mexico\, Argentina\, and Chile who will be sharing their own challenges and experiences in re-thinking music performance and community in their own cultures and communities.
URL:https://amplifymusic.org/event/33-latin-america-challenges-for-a-society-that-understands-itself-through-the-public-gathering/
CATEGORIES:Changing Social Norms,Panel,Practical Actions,Shared Lived Experiences,Social Fabric and Human Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T074500
DTEND;TZID=America/Los_Angeles:20200424T081500
DTSTAMP:20200511T174258Z
CREATED:20200418T181539Z
LAST-MODIFIED:20200511T174258Z
UID:4792-1587714300-1587716100@amplifymusic.org
SUMMARY:35.2 - Future of Career Pathways
DESCRIPTION:Future of Career Pathways\n						April 24\, 2020 | 7:45 AM PDT / 8:45 AM MDT / 9:45 AM CDT / 10:45 AM EDT\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Future of Career Pathways (Session 35.2)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Armen Shaomian\n					President\, MEIEA; Associate Professor\, University of South Carolina\, Columbia\, SC\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Nancy Tarr\n					Executive Director\, Well Dunn; Adjunct Lecturer\, SUNY Oneonta\, New York\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Kim Wangler\n					Music Industries Program Director\, Appalachian State University; Board of Director\, College Music Society\, Boone\, NC\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Emily White\n					Founding Partner\, Collective Entertainment\, Brooklyn\, NY\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Future of Career Pathways\n  \nWith the shutdown of much of the industry\, what is the effect on short-term opportunities like internships for those aspiring for careers in the music business? What does the landscape for hiring look like in the short and long terms now? What will various segments of the industry look like in terms of the number of jobs and the pathways to obtaining them? \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nWell Dunn\n\n\nHow to Build a Sustainable Music Career – Book
URL:https://amplifymusic.org/event/35-2-future-of-career-pathways/
CATEGORIES:Changing Social Norms,Futures,Panel,Power,Practical Actions,Recovery Economics
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T094500
DTEND;TZID=America/Los_Angeles:20200424T103000
DTSTAMP:20200508T170734Z
CREATED:20200420T163611Z
LAST-MODIFIED:20200508T170734Z
UID:5276-1587721500-1587724200@amplifymusic.org
SUMMARY:38 - Futures 15: Normalizing Digital Scarcity with Cherie Hu
DESCRIPTION:Futures 15: Normalizing Digital Scarcity\n						April 24\, 2020 | 9:45 AM PDT / 10:45 AM MDT / 11:45 AM CDT / 12:45 PM EDT\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Normalizing Digital Scarcity (Session 38)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Cherie Hu\n					Founder/Owner\, Water & Music; Music & Tech Columnist\, Billboard\, Forbes\, Music Business Worldwide\, New York\, NY\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Normalizing Digital Scarcity\nCherie Hu will talk about how the pandemic could be a turning point for normalizing digitally scarce goods and experiences. She’ll discuss disruptive effects (both positive and negative\, short- and long-term) of this sudden paradigm shift on how the music industry is structured and what fans expect from artists. I can also discuss one or two case studies of artists and entertainers who built sustainable businesses off of a notion of digital scarcity (pre-pandemic)\, and what we could learn from them. \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nWater & Music – Revue\n\n\nCherie Hu | music + tech + words\n\n\nLoopedlive\n\n\nCameo\n\n\nTravis Scott unveils $50 limited edition Reese’s Puffs cereal box\n\n\nCryptoKitties | Collect and breed digital cats!
URL:https://amplifymusic.org/event/38-futures-15-normalizing-digital-scarcity-with-cherie-hu/
CATEGORIES:Changing Social Norms,Futures,Futures 15,Tech As Live Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T114500
DTEND;TZID=America/Los_Angeles:20200424T121500
DTSTAMP:20200511T174746Z
CREATED:20200418T184539Z
LAST-MODIFIED:20200511T174746Z
UID:4794-1587728700-1587730500@amplifymusic.org
SUMMARY:42.2 - Future of Higher Education in Music
DESCRIPTION:Future of Higher Education in Music\n						April 24\, 2020 | 11:45 AM PDT / 12:45 PM MDT / 1:45 PM PM CDT / 2:25 PM EDT\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Future of Higher Education in Music (Session 42.2)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Armen Shaomian\n					Associate Professor\, University of South Carolina Dept. of Sport and Entertainment Management; President\, Music and Entertainment Industry Educators Association (MEIEA)\, Columbia\, SC\, USA  \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Storm Gloor\n					Associate Professor\, Music and Entertainment Studies\, University of Colorado\, Denver; City Councilman\, Glendale\, CO\, USA \n					\n					FacebookXLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Serona Elton \n					Associate Professor\, Associate Dean of Administration\, Frost School of Music\, University of Miami; Head of Educational Partnerships\, Mechanical Licensing Collective (MLC); President\, Elton Entertainment\, FL\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Stacy Merida\n					Assistant Professor\, Music Business in the Recording Industry\, Middle Tennessee State University; Business and Entertainment\, American University\, Kogod School of Business\, Nashville Area\, TN\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Future of Higher Education in Music\n  \nAs a result of COVID-19\, higher education institutions were forced to quickly shift to online platforms\, a massive disruption by itself. Universities which offered music business programs have ahead of them not only the task of re-adjusting from that shift and the fallout to enrollments\, but also a re-thinking of curricula around a music industry that will be vastly affected by the loss of jobs\, businesses\, and stability. How will music business education transform? How vulnerable are programs? What’s ahead for enrollments?
URL:https://amplifymusic.org/event/42-2-future-of-higher-education-in-music/
CATEGORIES:Changing Social Norms,Futures,Panel,Recovery Economics,Social Fabric and Human Experience,Tech As Live Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T121500
DTEND;TZID=America/Los_Angeles:20200424T124500
DTSTAMP:20200508T164746Z
CREATED:20200418T201539Z
LAST-MODIFIED:20200508T164746Z
UID:4795-1587730500-1587732300@amplifymusic.org
SUMMARY:43 - Roles of the Individual in Society - Inequalities\, Anonymity and Rights
DESCRIPTION:Role of the Individual in Society\n						April 24\, 2020 | 12:15 PM PDT / 1:15 PM MDT / 2:15 PM CDT / 3:15 pm EDT\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Role of the Individual in Society (Session 43)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Dave Ratner\n					Managing Partner\, Principal\, Creative Law Network\, Denver\, CO\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Dani Grant\n					Owner and General Manager\, Mishawaka Amphitheatre\, Ft. Collins\, CO\, USA \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Gigi Johnson\n					President\, Maremel Institute; Faculty\, UCLA Herb Alpert School of Music\, Los Angeles\, CA\, USA \n					\n					FacebookXLinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Role of the Individual in Society\n  \nAs we prepare for this event\, protesters in different cities and countries are standing for their rights to leave their homes.  What other rights are being challenged with tracking\, reduction in anonymity\, and freedom of speech?  How does this impact future music-making and music-community?  How will this affect how we organize and create? 
URL:https://amplifymusic.org/event/43-roles-of-the-individual-in-society-inequalities-anonymity-and-rights/
CATEGORIES:Changing Social Norms,Panel,Power,Social Fabric and Human Experience
END:VEVENT
END:VCALENDAR