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DTSTART;TZID=America/Los_Angeles:20200424T063000
DTEND;TZID=America/Los_Angeles:20200424T070000
DTSTAMP:20260413T230950
CREATED:20200418T130034Z
LAST-MODIFIED:20200511T173035Z
UID:4318-1587709800-1587711600@amplifymusic.org
SUMMARY:33 - Latin America: Challenges For a Society that Understands Itself Through the Public Gathering
DESCRIPTION:Latin America: Challenges For a Society that Understands Itself Through the Public Gathering\n						April 24\, 2020 | 6:30 AM PDT / 7:30 AM MDT / 8:30 AM CDT / 9:30 AM EDT / 8:30 CDT\, COT (Guadalajara\, Cali)\, 9:30 CLT Chile\, 10:30 AM ART Buenos Aires\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Latin America: Challenges for a Society that Understands Itself Through the Public Gathering (Session 33)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Nicolás Madoery\n					432 HERTIZIOS\, Argentina \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Gerry Rosado\n					Founder\, Relatable; Intolerancia Lable\, ADIMI member\, Mexico \n					\n					\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Max De La Fuente\n					Founder & CEO\, GrooveList\, Chile \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Ana Rodriguez\n					Founder\, Relatable\, FIJATE QUE SUAVE\, IMMF Board Co-Chair\, Mexico \n					\n					\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Latin America: Challenges for a Society that Understands Itself Through the Public Gathering\n  \nWe will be joined by live and digital music leaders from Mexico\, Argentina\, and Chile who will be sharing their own challenges and experiences in re-thinking music performance and community in their own cultures and communities.
URL:https://amplifymusic.org/event/33-latin-america-challenges-for-a-society-that-understands-itself-through-the-public-gathering/
CATEGORIES:Changing Social Norms,Panel,Practical Actions,Shared Lived Experiences,Social Fabric and Human Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T060000
DTEND;TZID=America/Los_Angeles:20200424T063000
DTSTAMP:20260413T230950
CREATED:20200418T133034Z
LAST-MODIFIED:20200511T173734Z
UID:4317-1587708000-1587709800@amplifymusic.org
SUMMARY:32.2 - How the Music Industry in Latin America Perceives the Impact of the Pandemic
DESCRIPTION:How the Music Industry in Latin America Perceives the Impact of the Pandemic\n						April 24\, 2020 | 6:00 AM PDT / 7:00 AM MDT / 8:00 AM CDT / 9:00 AM EDT / 8:00 CDT\, COT (Guadalajara\, Cali)\, 9:00 CLT Chile\, 10 AM ART Buenos Aires\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How the Music Industry in Latin America Perceives the Impact of the Pandemic (Session 32.2)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Robert Singerman\n					SVP\, International Publishing\, Lyricfind; Partner\, SyncSummit; Co-Founder\, The Chile\, Argentina\, Brazil (CAB) Music Trade Mission Tour\, New York\, NY\, USA \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Sergio Arbelaez Ospina\n					Director\, FIMPRO (Music Networking); Direction of Cultural Affairs\, University of Guadalajara; Director General\, imusic-school; Director de Contenidos\, Circulart\, Mexico \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Denisse Flores Somarriba\n					Directora del Centro de Innovacion e Inteligencia para el Desarrollo de las Artes\, Universidad de Guadalajara; Co-Fundadora y Directora Artistica\, Females Sessions AC\, Guadalajara\, Guadalajara\, Mexico \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Cédric David\n					Co-Owner\, AFROPICKS.org; Assocciacion Latin Americana de Managers & Angentes Musicales (MMF LATAM); CEO\, CECOM MUSICA\, Cali\, Colombia \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How the Music Industry in Latin America Perceives the Impact of the Pandemic\n  \nJoin this panel of music connectors working across Latin America and hailing from Mexico\, Columbia\, and New York on how the music industry in Latin America is shifting and engaging across countries and communities.
URL:https://amplifymusic.org/event/32-2-how-the-music-industry-in-latin-america-perceives-the-impact-of-the-pandemic/
CATEGORIES:Changing Social Norms,Panel,Practical Actions,Shared Lived Experiences
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T013000
DTEND;TZID=America/Los_Angeles:20200424T020000
DTSTAMP:20260413T230950
CREATED:20200418T224430Z
LAST-MODIFIED:20200506T010936Z
UID:4771-1587691800-1587693600@amplifymusic.org
SUMMARY:24 - Part I: Nightlife: Practical Actions and Challenges
DESCRIPTION:Part I: Nightlife: Practical Actions and Challenges\n						April 24\, 2020 | 1:30 AM PDT / 2:30 AM MDT / 3:30 AM CDT / 4:30 AM EDT | 10:30 CEST (Central European Summer Time)\n						\n						Watch Session on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Part I: Nightlife: Practical Actions and Challenges (Session 24)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Diana Raiselis\n					Research Fellow\, VibeLab; Berlin\, Germany \n					\n					FacebookLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Lutz Leichsenring\n					Co-Founder\, Vibe Lab\, Co-Founder\, young targets GmbH\, Amsterdam\, Netherlands \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Ariel Palitz\n					Director of the Office of Nightlife\, New York\, NY\, USA \n					\n					\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Sacha Lord\n					Night Time Economy Adviser for Greater Manchester\, UK \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Part I\nThe last six weeks have been a whirlwind. Nightlife leaders\, nighttime commissions and “night mayors” have responded quickly to the COVID-19 crisis through network- and platform-building\, advocacy\, and sharing open-source ideas from one city to another. VibeLab offers a two-part conversation with nightlife leaders from cities worldwide: \n\nPart I will highlight models that have been developed in one city and adopted in another (including livestreaming\, surveys\, and network-building).\nPart II will dig deeper into strategies for advocating for nightlife with local government. We’ll highlight current successes as well as challenges. All tools will be available open-source on nighttime.org\, to make it easy to adapt these ideas to your own scene.\n\nHow have nightlife cities used network-building\, surveys\, livestreaming\, and more to respond to crisis in the past 6 weeks—and how have cities learned from each other’s work? Successes\, challenges\, recommendations? \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nUnited We Stream\n\n\nNight Time\n\n\nA rundown of the situation in Vilnius in English on the Vilnius Night Alliance website\n\n\nUnited We Stream – Berlin\n\n\nIndicate your interest in contributing ideas or staying updated on a global nighttime recovery plan\n\n\nGlobal Nighttime Recovery Plan\n\n\n			\n				\n				\n				\n				\n				Contacts:\n  \nDiana Raiselis: diana@vibe-lab.org
URL:https://amplifymusic.org/event/24-part-i-nightlife-practical-actions-and-challenges/
CATEGORIES:Panel,Practical Actions,Shared Lived Experiences
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T003000
DTEND;TZID=America/Los_Angeles:20200424T010000
DTSTAMP:20260413T230950
CREATED:20200419T014631Z
LAST-MODIFIED:20200506T004838Z
UID:4307-1587688200-1587690000@amplifymusic.org
SUMMARY:22 - Advocacy Approached from Europe
DESCRIPTION:Advocacy Approached from Europe\n						April 24\, 2020 | 12:30 AM PDT / 1:30 AM MDT / 2:30 AM CDT / 3:30 AM EDT | 8:30 AM BST  | 9:30 AM CEST (Central European Summer Time)\n						\n						Watch Session on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Advocacy Approached from Europe (Session 22)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Elisa Thoma (France)\n					Communications and Project Manager\, Live DMA\, Nantes\, France \n					\n					LinkedIn\n				\n			\n				\n				\n				\n				\n				Live DMA Survey\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Mark Davyd (UK)\n					CEO\, Music Venue Trust UK\, Barcelona\, Spain \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Esben Marcher (Denmark)\n					Sekretariatschef i Dansk Live\, Valby\, Denmark \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Anya della Croce (Switzerland)\n					Coordination Romande\, Association Petzi\, Fribourg\, Switzerland \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				European Advocacy\nThe core activities of venues and clubs all over Europe is organizing live concerts and programming music. Some venues and clubs also manages social and educational activities\, support cultural projects\, and provide rehearsal spaces. Others might run a restaurant or host non cultural activities. Some receive public funding\, others don’t. All these cultural and economic specificities feed the diversity of European live music scenes. To protect this diversity in this particular situation and in general\, diversity in support measures is necessary.  This panel will look from a data perspective on the different experiences for music venues and clubs in Europe.  \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nPetzi\n\n\nMusic Venues Trust\n\n\nLive DMA\n\n\n			\n				\n				\n				\n				\n				Contacts:\n  \nMark Davyd: mark@musicvenuetrust.com\nAnya Della Croce: office@petzi.ch\nElisa Thoma: elisa.thoma@live-dma.eu\nEsben Marcher: esben@dansklive.dk
URL:https://amplifymusic.org/event/22-advocacy-approached-from-europe/
CATEGORIES:Panel,Shared Lived Experiences,Social Fabric and Human Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T231500
DTEND;TZID=America/Los_Angeles:20200423T234500
DTSTAMP:20260413T230950
CREATED:20200422T174543Z
LAST-MODIFIED:20200506T004248Z
UID:5622-1587683700-1587685500@amplifymusic.org
SUMMARY:20 - How can India revise its creative economy policies & look into the past to shape the future
DESCRIPTION:How can India Revise its Creative Economy Policies & Look Into the Past to Shape the Future?\n						April 23\, 2020 | 11:15 PM PDT / 12:15 AM MDT / 1:15 AM CDT / 2:15 AM EDT / 11:45 AM IST (New Delhi\, India)\n						\n						Watch on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How can India Revise its Creative Economy Policies & Look Into the Past to Shape the Future? (Session 20)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Varun Patra\n					Co-Founder\, Homegrown\, Mumbai\, India \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Ritnika Nayan\n					Director of Market Development\, India\, CD Baby; Owner\, Music Gets Me High; Program Director and Professor\, Music Business Management\, Sri Aurobindo Centre for Arts & Communication\, New Delhi\, India \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Dev Bhatia\n					Managing Partner/Artist Manager\, UnMute; Guest Lecturer\, I Love Music Academy\, New Delhi\, India \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How can India Revise its Creative Economy Policies & Look Into the Past to Shape the Future?\nAs a country\, India doesn’t have any formal structures from the government to invest or support creative\, nightlife\, and music industries. These sectors bring a large amount of revenue to the economy but also have big eco-systems connected\, which are not given the importance they deserve. In the age of COVID-19\, it is an essential time to create the right frameworks and policies to build for a stronger future. There is an untapped potential\, but moreover\, we need to look at solutions from our past that can help shape the future.  \n  The music\, creative\, and nightlife economies have the opportunity to help revive the country at this time. They require\, however\, the right processes and the inclusion of all communities to create a bridge between both the traditional and contemporary arts within music\, arts\, and culture. The speakers shared that if not done now this will be another lost opportunity. If they don’t do this now\, India will have another lost opportunity. And if the government doesn’t focus on it\, it’s upon Indian creators and organizations to bring this to light.  \n  As Gandhi said: “Be The Change You Want To See.” \n			\n				\n				\n				\n				\n				Contacts:\n  \nDev Bhatia: dev@unmute.in\nRitnika Nayan: ritnika@mgmh.net\n 
URL:https://amplifymusic.org/event/20-how-can-india-revise-its-creative-economy-policies-look-into-the-past-to-shape-the-future/
CATEGORIES:Panel,Shared Lived Experiences,Social Fabric and Human Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T224500
DTEND;TZID=America/Los_Angeles:20200423T231500
DTSTAMP:20260413T230950
CREATED:20200418T224428Z
LAST-MODIFIED:20200504T142654Z
UID:4304-1587681900-1587683700@amplifymusic.org
SUMMARY:19 - India: Practical Actions and Challenges
DESCRIPTION:India: Practical Actions and Challenges\n						April 23\, 2020 | 10:45 PM PDT / 11:45 PM MDT / 12:45 AM CDT / 1:45 AM EDT | 11:15 AM April 24 IST (Mumbai\, India)\n						\n						Watch Session in YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				India: Practical Actions and Challenges (Session 19)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Nikhil Kedambadi\n					Administration Head\, Ronkel MERI; Founder Member\, 1234\, The World of Mausiqi\, Mumbai\, India \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Swadin Padhy\n					Academic Head\, Ronkel MERI\, Mumbai\, India \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				India’s Challenges\nIndia faces unique challenges and an intertwined film environment. This panel will look at the current state of the Indian Music Industry\, Bollywood Film Music\, music marketing and finance\, and how the pandemic has impacted instruments and software in India as well. \n			\n				\n				\n				\n				\n				Links from the Session:\n  \nRonkel
URL:https://amplifymusic.org/event/19-india-practical-actions-and-challenges/
CATEGORIES:Panel,Shared Lived Experiences,Social Fabric and Human Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T203000
DTEND;TZID=America/Los_Angeles:20200423T210000
DTSTAMP:20260413T230951
CREATED:20200418T224427Z
LAST-MODIFIED:20200504T141738Z
UID:4762-1587673800-1587675600@amplifymusic.org
SUMMARY:15 - New Zealand: Practical Actions and Challenges
DESCRIPTION:New Zealand: Practical Actions and Challenges\n						April 23\, 2020 | 8:30 PM PDT / 9:30 PM MDT / 10:30 PM CDT / 12:30 am EDT | 3:30 PM April 24 NZST (New Zealand)\n						\n						Watch Session on YouTubeEngage on Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				New Zealand: Practical Actions and Challenges (Session 15)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Mark Roach\n					Project Lead\, Auckland UNESCO City of Music; Founder\, Music Managers Forum NZ; Co-founder\, Independent Music NZ\, New Zealand \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Peter Dickens\n					General Manager\, MusicHelps\, New Zealand \n					\n					LinkedIn\n				\n			\n				\n				\n				\n				\n				MusicHelps New Zealand\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Damian Vaughan\n					CEO\, Recorded Music NZ\, Auckland\, New Zealand \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				New Zealand – Coordination\nHow is industry responding in a coordinated way? In New Zealand\, organizations are consolidating everything into one place\, impacting all sectors of the industry. \n			\n				\n				\n				\n				\n				Links from the Session:\n  \nMusic Helps\n			\n				\n				\n				\n				\n				Contacts:\n  \nMark Roach: mark@recordedmusic.co.nz\nPeter Dickens: peterd@musichelps.org.nz
URL:https://amplifymusic.org/event/15-new-zealand-practical-actions-and-challenges/
LOCATION:Zoom Webinar
CATEGORIES:Practical Actions,Recovery,Shared Lived Experiences
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T191500
DTEND;TZID=America/Los_Angeles:20200423T194500
DTSTAMP:20260413T230951
CREATED:20200418T224426Z
LAST-MODIFIED:20200504T071123Z
UID:4760-1587669300-1587671100@amplifymusic.org
SUMMARY:13 - Music Resilience in Malaysia
DESCRIPTION:Music Resilience in Malaysia\n						April 23\, 2020 | 7:15 PM PDT / 8:15 PM MDT / 9:15 PM CDT / 10:15 pm EDT | 10:15 AM April 24 Malaysia Time MYT\n						\n						Watch Session on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Resilience in Malaysia (Session 13)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Dr. Mayco Santaella\n					Ethnomusicologist\, Popular Music Educator\, and Head of the Film & Performing Arts Department\, Sunway University\, Malaysia \n					\n					Facebook\n				\n			\n				\n				\n				\n				\n				Sunway School of Arts\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Azmyl Yunor\n					Independent English and Malay language Singer-Songwriter\, Multi-Instrumentalist\, Academic\, Writer\, Klang Valley\, Malaysia \n					\n					FacebookXLinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Resilience in Malaysia\nDr. Santaella and Azmyl Yunor will share what the pandemic has done to music and music ecosystems in Malaysia.  \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\nSunway University\nMusicians for Musicians Malaysia\nFestival Duduk Rumah\nChange.org Petition: Malaysia Event Industry In DIRE STRAITS!
URL:https://amplifymusic.org/event/13-music-resilience-in-malaysia/
CATEGORIES:Changing Social Norms,Human Health & Resilience,Panel,Shared Lived Experiences,Social Fabric and Human Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T171500
DTEND;TZID=America/Los_Angeles:20200423T174500
DTSTAMP:20260413T230951
CREATED:20200419T001525Z
LAST-MODIFIED:20200509T194229Z
UID:4294-1587662100-1587663900@amplifymusic.org
SUMMARY:09 - Music Education -- The Intertwining of Educational Disruption and Music Disruption
DESCRIPTION:Music Education\n						April 23\, 2020 | 5:15 PM PDT / 6:15 PM MDT / 7:15 PM CDT / 8:15 pm EDT\n						\n						Watch Session on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Education – The Intertwining of Educational Disruption and Music Disruption (Session 9)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Frank Heuser\n					Professor\, Music Education\, UCLA Alpert School of Music\, Los Angeles\, CA\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Jami Duffy\n					Executive Director\, Youth on Record\, Denver\, CO\, USA \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Laura Clark\n					Director of Programs\, House of Blues Music Forward Foundation\, Las Vegas\, NV\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Kelsey Smith\n					Programs Director\, Young Musicians Foundation\, Los Angeles\, CA\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Education and Music Change\nMusic education is disrupted from its normal local delivery and relationships with schools and gatherings. We will share some local sagas and examples of how music education has been rethinking its delivery and its role/connection with the local music communities. \n			\n				\n				\n				\n				\n				Links from the Session:\n  \nYMF Online Music Academy\nYouth On Record\n			\n				\n				\n				\n				\n				Contacts:\n  \nKelsey Smith: Kelsey@ymf.org
URL:https://amplifymusic.org/event/09-music-education-the-intertwining-of-educational-disruption-and-music-disruption/
CATEGORIES:Changing Social Norms,Panel,Shared Lived Experiences,Social Fabric and Human Experience,Tech As Live Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T151500
DTEND;TZID=America/Los_Angeles:20200423T154500
DTSTAMP:20260413T230951
CREATED:20200418T221525Z
LAST-MODIFIED:20200504T063142Z
UID:4291-1587654900-1587656700@amplifymusic.org
SUMMARY:06 - What have been Nonprofit\, Govt\, and Organizational Main Actions in Local Music Communities?
DESCRIPTION:Non-Profit\, Government\, and Organizational Actions\n						April 23\, 2020 | 3:15 PM PDT / 4:15 PM MDT / 5:15 PM CDT / 6:15 pm EDT\n						\n						Watch Video on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Non-Profit\, Government\, and Organizational Actions (Session 6)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Meara McLaughlin\n					Executive Director\, Music Portland\, Portland\, OR\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Ben Johnson\n					Performing Arts Program Director\, Dept. of Cultural Affairs\, City of Los Angeles\, CA\, USA \n					\n					\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Adrienne Palm\n					Director of gBETA Musictech & gBETA Northeast Wisconsin at gener8tor\, Appleton\, WI\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				What have been Nonprofit\, Govt\, and Organizational Main Actions in Local Music Communities?\n  \nMany organizations work locally to support artists and scenes. Guests from different cities will share the challenges in helping and delivering\, as well as what unique has been happening in their own communities \n			\n				\n				\n				\n				\n				Links from the Session:\n\nBackline\nGener8tor Videos\nMotown Musician Accelerator\nGener8tor Blog\nSelf-Employed\, Unemployment COVID Benefits – Exploring possibilities for music people\nNational Independent Venue Association\n\n  \n			\n				\n				\n				\n				\n				Contacts:\n  \nAdrienne Palm: adrienne@gener8tor.com
URL:https://amplifymusic.org/event/06-what-have-been-nonprofit-govt-and-organizational-main-actions-in-local-music-communities/
CATEGORIES:Shared Lived Experiences
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T144500
DTEND;TZID=America/Los_Angeles:20200423T151500
DTSTAMP:20260413T230951
CREATED:20200419T015105Z
LAST-MODIFIED:20200504T062054Z
UID:4753-1587653100-1587654900@amplifymusic.org
SUMMARY:05 - Practical Actions from King County\, WA and San Francisco
DESCRIPTION:Practical Actions from King County and San Francisco\n						April 23\, 2020 | 2:45 PM PDT / 3:45 PM MDT / 4:45 PM CDT / 5:45 PM EDT\n						\n						Watch Video on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Practical Actions from King County\, WA and San Francisco\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Kate Becker\n					Creative Economy Strategist at Office of King County Executive Dow Constantine\, Seattle\, WA\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Maggie Weiland\n					Executive Director at SF Entertainment Commission\, San Francisco\, CA USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Ben Van Houten\n					Business Development Manager\, Nightlife & Entertainment Sector\, San Francisco\, CA\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Scott Plusquellec\n					Nightlife Business Advocate\, Office of Film + Music City of Seattle \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Practical Action\nSome cities have faced the challenges of the public health risks and quarantine ahead of others. Leading voices from King County and San Francisco will talk about what the challenges have been like in their cities and what many of the rest of us can learn from their first actions and continuing solutions. \n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Links from the Session:\n\nKing County Creative COVID-19 Handbook\nKing County Creative FB Group\nSeattle/King County Public Health COVID-19\nKing County Creative FB Page\nKing County Creative Instagram\nSF Gov Entertainment\nSF Nightlife & Entertainment\nSF Nightlife Relief \n\n			\n				\n				\n				\n				\n				Contacts:\n  \nScott Plusquellec: scott.plusquellec@seattle.gov
URL:https://amplifymusic.org/event/05-practical-actions-from-san-francisco-and-washington-state/
CATEGORIES:Panel,Practical Actions,Shared Lived Experiences
END:VEVENT
END:VCALENDAR