BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Amplify Music - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Amplify Music X-ORIGINAL-URL:https://amplifymusic.org X-WR-CALDESC:Events for Amplify Music REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/Los_Angeles BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20190310T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20191103T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20200308T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20201101T090000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0800 TZOFFSETTO:-0700 TZNAME:PDT DTSTART:20210314T100000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0700 TZOFFSETTO:-0800 TZNAME:PST DTSTART:20211107T090000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200424T121500 DTEND;TZID=America/Los_Angeles:20200424T124500 DTSTAMP:20260425T035323 CREATED:20200418T201539Z LAST-MODIFIED:20200508T164746Z UID:4795-1587730500-1587732300@amplifymusic.org SUMMARY:43 - Roles of the Individual in Society - Inequalities\, Anonymity and Rights DESCRIPTION:Role of the Individual in Society\n April 24\, 2020 | 12:15 PM PDT / 1:15 PM MDT / 2:15 PM CDT / 3:15 pm EDT\n \n Watch Session on YouTube\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Role of the Individual in Society (Session 43)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Dave Ratner\n Managing Partner\, Principal\, Creative Law Network\, Denver\, CO\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Dani Grant\n Owner and General Manager\, Mishawaka Amphitheatre\, Ft. Collins\, CO\, USA \n \n XLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Gigi Johnson\n President\, Maremel Institute; Faculty\, UCLA Herb Alpert School of Music\, Los Angeles\, CA\, USA \n \n FacebookXLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Role of the Individual in Society\n  \nAs we prepare for this event\, protesters in different cities and countries are standing for their rights to leave their homes.  What other rights are being challenged with tracking\, reduction in anonymity\, and freedom of speech?  How does this impact future music-making and music-community?  How will this affect how we organize and create?  URL:https://amplifymusic.org/event/43-roles-of-the-individual-in-society-inequalities-anonymity-and-rights/ CATEGORIES:Changing Social Norms,Panel,Power,Social Fabric and Human Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200424T114500 DTEND;TZID=America/Los_Angeles:20200424T121500 DTSTAMP:20260425T035323 CREATED:20200418T184539Z LAST-MODIFIED:20200511T174746Z UID:4794-1587728700-1587730500@amplifymusic.org SUMMARY:42.2 - Future of Higher Education in Music DESCRIPTION:Future of Higher Education in Music\n April 24\, 2020 | 11:45 AM PDT / 12:45 PM MDT / 1:45 PM PM CDT / 2:25 PM EDT\n \n Watch Session on YouTube\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Future of Higher Education in Music (Session 42.2)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Armen Shaomian\n Associate Professor\, University of South Carolina Dept. of Sport and Entertainment Management; President\, Music and Entertainment Industry Educators Association (MEIEA)\, Columbia\, SC\, USA \n \n XLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Storm Gloor\n Associate Professor\, Music and Entertainment Studies\, University of Colorado\, Denver; City Councilman\, Glendale\, CO\, USA \n \n FacebookXLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Serona Elton \n Associate Professor\, Associate Dean of Administration\, Frost School of Music\, University of Miami; Head of Educational Partnerships\, Mechanical Licensing Collective (MLC); President\, Elton Entertainment\, FL\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Stacy Merida\n Assistant Professor\, Music Business in the Recording Industry\, Middle Tennessee State University; Business and Entertainment\, American University\, Kogod School of Business\, Nashville Area\, TN\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Future of Higher Education in Music\n  \nAs a result of COVID-19\, higher education institutions were forced to quickly shift to online platforms\, a massive disruption by itself. Universities which offered music business programs have ahead of them not only the task of re-adjusting from that shift and the fallout to enrollments\, but also a re-thinking of curricula around a music industry that will be vastly affected by the loss of jobs\, businesses\, and stability. How will music business education transform? How vulnerable are programs? What’s ahead for enrollments? URL:https://amplifymusic.org/event/42-2-future-of-higher-education-in-music/ CATEGORIES:Changing Social Norms,Futures,Panel,Recovery Economics,Social Fabric and Human Experience,Tech As Live Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200424T111500 DTEND;TZID=America/Los_Angeles:20200424T114500 DTSTAMP:20260425T035323 CREATED:20200418T181538Z LAST-MODIFIED:20200508T162611Z UID:4326-1587726900-1587728700@amplifymusic.org SUMMARY:41.1 - Future of Live Venues and Events DESCRIPTION:Future of Live Venues and Events\n April 24\, 2020 | 11:15 AM PDT / 12:15 PM MDT / 1:15 PM CDT / 2:15 PM EDT\n \n Watch Session on YouTube\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Future of Live Venues and Events (Session 41.1)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Chris Zacher\n Executive Director and Founder\, Levitt Pavilion Denver; Lecturer\, Univ. of Colorado; Partner\, Zebra Incorporated\, Denver\, CO USA \n \n FacebookXLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Eric Gilbert\n Festival Director/Co-Founder\, Treefort Music Festival\, Boise\, ID\, USA \n \n X\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Laura Wilson\n Live Music Manager\, Bohemian Foundation\, Ft. Collins\, CO\, USA \n \n XLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Dayna Frank\n CEO\, First Avenue and the 7th St. Entry; Board President\, National Independent Venue Association (NIVA)\, Minneapolis\, MN \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Future of Live Venues and Live Events\nHow will the long-term repercussions of this pandemic and its negotiated social norms affect the layout\, social meaning\, and economics of concerts\, festivals\, and venues?  These leaders in the Colorado and Idaho live music communities will discuss challenges\, frictions\, and realities of the next lives of live performance.\n \n \n \n \n \n Links from the Session:\n  \n\n\nHome | Treefort Music Fest\n\n\nNational Independent Venue Association\n\n\nLevitt Pavilion Denver\n\n\nWashington’s | a premier music venue in downtown Fort Collins\, Colorado\n\n\nBohemian Foundation\n\n\n \n \n \n \n \n Contacts:\n  \nEric Gilbert: gilbert@treefortmusicfest.com\nLaura Wilson: laura@bohemianfoundation.org URL:https://amplifymusic.org/event/41-1-future-of-live-venues-and-events/ CATEGORIES:Futures,Panel,Recovery Economics,Social Fabric and Human Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200424T090000 DTEND;TZID=America/Los_Angeles:20200424T093000 DTSTAMP:20260425T035323 CREATED:20200418T160037Z LAST-MODIFIED:20200509T193604Z UID:4322-1587718800-1587720600@amplifymusic.org SUMMARY:37 - Archiving Music History and Culture DESCRIPTION:Archiving Music History and Culture\n April 24\, 2020 | 9:00 AM PDT / 10:00 AM MDT / 11:00 AM CDT / 12:00 PM EDT\n \n Watch Session on YouTube\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Archiving Music History and Culture (Session 37)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Jeremy Peters\n Assistant Professor\, Wayne State University College; Partner/Co-Owner\, Quite Scientific Records; Advisor\, Detroit Sound Conservancy; President\, Board of Directors\, Audivi\, Detroit\, MI\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Vanessa Rose\n President and CEO\, American Composers Forum\, St. Paul\, MN\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Tom Clareson\n Project Director\, Performing Arts Readiness\, Columbus\, OH\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Who will be Remembered?\nWhose culture will be retained?  Whose conversations and protests will be seen?  For our artists who are passing\, who will be celebrated?  Which venues will be missed and who will be funded to return? The question of memory\, culture\, and tragedy will be a drama and comedy played out in our public spaces and communities.  We will be discussing the missing\, the forgotten\, and the remembered in structure and story. \n \n \n \n \n \n Links from the Session:\n\n\nComposers Forum \n\n\nJoan Mitchell Foundation \n\n\nPerforming Arts Readiness \n\n\nMusic Business – Department of Music – Wayne State University \n\n\nI CARE IF YOU LISTEN | New Classical Music News \n\n\nArtist Relief \n\n\nDistrict of Columbia Public Library \n\n\nAbout Us – Austin Public Library \n\n\nCraft Emergency Relief Fund – CERF+ \n\n\nFunding for Audio Preservation URL:https://amplifymusic.org/event/37-archiving-music-history-and-culture/ CATEGORIES:Panel,Social Fabric and Human Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200424T063000 DTEND;TZID=America/Los_Angeles:20200424T070000 DTSTAMP:20260425T035323 CREATED:20200418T130034Z LAST-MODIFIED:20200511T173035Z UID:4318-1587709800-1587711600@amplifymusic.org SUMMARY:33 - Latin America: Challenges For a Society that Understands Itself Through the Public Gathering DESCRIPTION:Latin America: Challenges For a Society that Understands Itself Through the Public Gathering\n April 24\, 2020 | 6:30 AM PDT / 7:30 AM MDT / 8:30 AM CDT / 9:30 AM EDT / 8:30 CDT\, COT (Guadalajara\, Cali)\, 9:30 CLT Chile\, 10:30 AM ART Buenos Aires\n \n Watch Session on YouTube\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Latin America: Challenges for a Society that Understands Itself Through the Public Gathering (Session 33)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Nicolás Madoery\n 432 HERTIZIOS\, Argentina \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Gerry Rosado\n Founder\, Relatable; Intolerancia Lable\, ADIMI member\, Mexico \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Max De La Fuente\n Founder & CEO\, GrooveList\, Chile \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ana Rodriguez\n Founder\, Relatable\, FIJATE QUE SUAVE\, IMMF Board Co-Chair\, Mexico \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Latin America: Challenges for a Society that Understands Itself Through the Public Gathering\n  \nWe will be joined by live and digital music leaders from Mexico\, Argentina\, and Chile who will be sharing their own challenges and experiences in re-thinking music performance and community in their own cultures and communities. URL:https://amplifymusic.org/event/33-latin-america-challenges-for-a-society-that-understands-itself-through-the-public-gathering/ CATEGORIES:Changing Social Norms,Panel,Practical Actions,Shared Lived Experiences,Social Fabric and Human Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200424T003000 DTEND;TZID=America/Los_Angeles:20200424T010000 DTSTAMP:20260425T035323 CREATED:20200419T014631Z LAST-MODIFIED:20200506T004838Z UID:4307-1587688200-1587690000@amplifymusic.org SUMMARY:22 - Advocacy Approached from Europe DESCRIPTION:Advocacy Approached from Europe\n April 24\, 2020 | 12:30 AM PDT / 1:30 AM MDT / 2:30 AM CDT / 3:30 AM EDT | 8:30 AM BST | 9:30 AM CEST (Central European Summer Time)\n \n Watch Session on YouTubeEngage in Slack\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Advocacy Approached from Europe (Session 22)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Elisa Thoma (France)\n Communications and Project Manager\, Live DMA\, Nantes\, France \n \n LinkedIn\n \n \n \n \n \n \n Live DMA Survey\n \n \n \n \n \n \n \n \n \n \n \n \n \n Mark Davyd (UK)\n CEO\, Music Venue Trust UK\, Barcelona\, Spain \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Esben Marcher (Denmark)\n Sekretariatschef i Dansk Live\, Valby\, Denmark \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Anya della Croce (Switzerland)\n Coordination Romande\, Association Petzi\, Fribourg\, Switzerland \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n European Advocacy\nThe core activities of venues and clubs all over Europe is organizing live concerts and programming music. Some venues and clubs also manages social and educational activities\, support cultural projects\, and provide rehearsal spaces. Others might run a restaurant or host non cultural activities. Some receive public funding\, others don’t. All these cultural and economic specificities feed the diversity of European live music scenes. To protect this diversity in this particular situation and in general\, diversity in support measures is necessary.  This panel will look from a data perspective on the different experiences for music venues and clubs in Europe.  \n \n \n \n \n \n Links from the Session:\n  \n\n\nPetzi\n\n\nMusic Venues Trust\n\n\nLive DMA\n\n\n \n \n \n \n \n Contacts:\n  \nMark Davyd: mark@musicvenuetrust.com\nAnya Della Croce: office@petzi.ch\nElisa Thoma: elisa.thoma@live-dma.eu\nEsben Marcher: esben@dansklive.dk URL:https://amplifymusic.org/event/22-advocacy-approached-from-europe/ CATEGORIES:Panel,Shared Lived Experiences,Social Fabric and Human Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200423T231500 DTEND;TZID=America/Los_Angeles:20200423T234500 DTSTAMP:20260425T035323 CREATED:20200422T174543Z LAST-MODIFIED:20200506T004248Z UID:5622-1587683700-1587685500@amplifymusic.org SUMMARY:20 - How can India revise its creative economy policies & look into the past to shape the future DESCRIPTION:How can India Revise its Creative Economy Policies & Look Into the Past to Shape the Future?\n April 23\, 2020 | 11:15 PM PDT / 12:15 AM MDT / 1:15 AM CDT / 2:15 AM EDT / 11:45 AM IST (New Delhi\, India)\n \n Watch on YouTubeEngage in Slack\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n How can India Revise its Creative Economy Policies & Look Into the Past to Shape the Future? (Session 20)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Varun Patra\n Co-Founder\, Homegrown\, Mumbai\, India \n \n XLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Ritnika Nayan\n Director of Market Development\, India\, CD Baby; Owner\, Music Gets Me High; Program Director and Professor\, Music Business Management\, Sri Aurobindo Centre for Arts & Communication\, New Delhi\, India \n \n XLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Dev Bhatia\n Managing Partner/Artist Manager\, UnMute; Guest Lecturer\, I Love Music Academy\, New Delhi\, India \n \n XLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n How can India Revise its Creative Economy Policies & Look Into the Past to Shape the Future?\nAs a country\, India doesn’t have any formal structures from the government to invest or support creative\, nightlife\, and music industries. These sectors bring a large amount of revenue to the economy but also have big eco-systems connected\, which are not given the importance they deserve. In the age of COVID-19\, it is an essential time to create the right frameworks and policies to build for a stronger future. There is an untapped potential\, but moreover\, we need to look at solutions from our past that can help shape the future. \n The music\, creative\, and nightlife economies have the opportunity to help revive the country at this time. They require\, however\, the right processes and the inclusion of all communities to create a bridge between both the traditional and contemporary arts within music\, arts\, and culture. The speakers shared that if not done now this will be another lost opportunity. If they don’t do this now\, India will have another lost opportunity. And if the government doesn’t focus on it\, it’s upon Indian creators and organizations to bring this to light. \n As Gandhi said: “Be The Change You Want To See.” \n \n \n \n \n \n Contacts:\n  \nDev Bhatia: dev@unmute.in\nRitnika Nayan: ritnika@mgmh.net\n  URL:https://amplifymusic.org/event/20-how-can-india-revise-its-creative-economy-policies-look-into-the-past-to-shape-the-future/ CATEGORIES:Panel,Shared Lived Experiences,Social Fabric and Human Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200423T224500 DTEND;TZID=America/Los_Angeles:20200423T231500 DTSTAMP:20260425T035323 CREATED:20200418T224428Z LAST-MODIFIED:20200504T142654Z UID:4304-1587681900-1587683700@amplifymusic.org SUMMARY:19 - India: Practical Actions and Challenges DESCRIPTION:India: Practical Actions and Challenges\n April 23\, 2020 | 10:45 PM PDT / 11:45 PM MDT / 12:45 AM CDT / 1:45 AM EDT | 11:15 AM April 24 IST (Mumbai\, India)\n \n Watch Session in YouTubeEngage in Slack\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n India: Practical Actions and Challenges (Session 19)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Nikhil Kedambadi\n Administration Head\, Ronkel MERI; Founder Member\, 1234\, The World of Mausiqi\, Mumbai\, India \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Swadin Padhy\n Academic Head\, Ronkel MERI\, Mumbai\, India \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n India’s Challenges\nIndia faces unique challenges and an intertwined film environment. This panel will look at the current state of the Indian Music Industry\, Bollywood Film Music\, music marketing and finance\, and how the pandemic has impacted instruments and software in India as well. \n \n \n \n \n \n Links from the Session:\n  \nRonkel URL:https://amplifymusic.org/event/19-india-practical-actions-and-challenges/ CATEGORIES:Panel,Shared Lived Experiences,Social Fabric and Human Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200423T191500 DTEND;TZID=America/Los_Angeles:20200423T194500 DTSTAMP:20260425T035324 CREATED:20200418T224426Z LAST-MODIFIED:20200504T071123Z UID:4760-1587669300-1587671100@amplifymusic.org SUMMARY:13 - Music Resilience in Malaysia DESCRIPTION:Music Resilience in Malaysia\n April 23\, 2020 | 7:15 PM PDT / 8:15 PM MDT / 9:15 PM CDT / 10:15 pm EDT | 10:15 AM April 24 Malaysia Time MYT\n \n Watch Session on YouTubeEngage in Slack\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Music Resilience in Malaysia (Session 13)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Dr. Mayco Santaella\n Ethnomusicologist\, Popular Music Educator\, and Head of the Film & Performing Arts Department\, Sunway University\, Malaysia \n \n Facebook\n \n \n \n \n \n \n Sunway School of Arts\n \n \n \n \n \n \n \n \n \n \n \n \n \n Azmyl Yunor\n Independent English and Malay language Singer-Songwriter\, Multi-Instrumentalist\, Academic\, Writer\, Klang Valley\, Malaysia \n \n FacebookXLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Music Resilience in Malaysia\nDr. Santaella and Azmyl Yunor will share what the pandemic has done to music and music ecosystems in Malaysia.  \n \n \n \n \n \n Links from the Session:\n  \n\nSunway University\nMusicians for Musicians Malaysia\nFestival Duduk Rumah\nChange.org Petition: Malaysia Event Industry In DIRE STRAITS! URL:https://amplifymusic.org/event/13-music-resilience-in-malaysia/ CATEGORIES:Changing Social Norms,Human Health & Resilience,Panel,Shared Lived Experiences,Social Fabric and Human Experience END:VEVENT BEGIN:VEVENT DTSTART;TZID=America/Los_Angeles:20200423T171500 DTEND;TZID=America/Los_Angeles:20200423T174500 DTSTAMP:20260425T035324 CREATED:20200419T001525Z LAST-MODIFIED:20200509T194229Z UID:4294-1587662100-1587663900@amplifymusic.org SUMMARY:09 - Music Education -- The Intertwining of Educational Disruption and Music Disruption DESCRIPTION:Music Education\n April 23\, 2020 | 5:15 PM PDT / 6:15 PM MDT / 7:15 PM CDT / 8:15 pm EDT\n \n Watch Session on YouTubeEngage in Slack\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Music Education – The Intertwining of Educational Disruption and Music Disruption (Session 9)\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Frank Heuser\n Professor\, Music Education\, UCLA Alpert School of Music\, Los Angeles\, CA\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Jami Duffy\n Executive Director\, Youth on Record\, Denver\, CO\, USA \n \n XLinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Laura Clark\n Director of Programs\, House of Blues Music Forward Foundation\, Las Vegas\, NV\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Kelsey Smith\n Programs Director\, Young Musicians Foundation\, Los Angeles\, CA\, USA \n \n LinkedIn\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Music Education and Music Change\nMusic education is disrupted from its normal local delivery and relationships with schools and gatherings. We will share some local sagas and examples of how music education has been rethinking its delivery and its role/connection with the local music communities. \n \n \n \n \n \n Links from the Session:\n  \nYMF Online Music Academy\nYouth On Record\n \n \n \n \n \n Contacts:\n  \nKelsey Smith: Kelsey@ymf.org URL:https://amplifymusic.org/event/09-music-education-the-intertwining-of-educational-disruption-and-music-disruption/ CATEGORIES:Changing Social Norms,Panel,Shared Lived Experiences,Social Fabric and Human Experience,Tech As Live Experience END:VEVENT END:VCALENDAR