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DTSTART;TZID=America/Los_Angeles:20200424T114500
DTEND;TZID=America/Los_Angeles:20200424T121500
DTSTAMP:20260501T160542
CREATED:20200418T184539Z
LAST-MODIFIED:20200511T174746Z
UID:4794-1587728700-1587730500@amplifymusic.org
SUMMARY:42.2 - Future of Higher Education in Music
DESCRIPTION:Future of Higher Education in Music\n						April 24\, 2020 | 11:45 AM PDT / 12:45 PM MDT / 1:45 PM PM CDT / 2:25 PM EDT\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Future of Higher Education in Music (Session 42.2)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Armen Shaomian\n					Associate Professor\, University of South Carolina Dept. of Sport and Entertainment Management; President\, Music and Entertainment Industry Educators Association (MEIEA)\, Columbia\, SC\, USA  \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Storm Gloor\n					Associate Professor\, Music and Entertainment Studies\, University of Colorado\, Denver; City Councilman\, Glendale\, CO\, USA \n					\n					FacebookXLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Serona Elton \n					Associate Professor\, Associate Dean of Administration\, Frost School of Music\, University of Miami; Head of Educational Partnerships\, Mechanical Licensing Collective (MLC); President\, Elton Entertainment\, FL\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Stacy Merida\n					Assistant Professor\, Music Business in the Recording Industry\, Middle Tennessee State University; Business and Entertainment\, American University\, Kogod School of Business\, Nashville Area\, TN\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Future of Higher Education in Music\n  \nAs a result of COVID-19\, higher education institutions were forced to quickly shift to online platforms\, a massive disruption by itself. Universities which offered music business programs have ahead of them not only the task of re-adjusting from that shift and the fallout to enrollments\, but also a re-thinking of curricula around a music industry that will be vastly affected by the loss of jobs\, businesses\, and stability. How will music business education transform? How vulnerable are programs? What’s ahead for enrollments?
URL:https://amplifymusic.org/event/42-2-future-of-higher-education-in-music/
CATEGORIES:Changing Social Norms,Futures,Panel,Recovery Economics,Social Fabric and Human Experience,Tech As Live Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T094500
DTEND;TZID=America/Los_Angeles:20200424T103000
DTSTAMP:20260501T160543
CREATED:20200420T163611Z
LAST-MODIFIED:20200508T170734Z
UID:5276-1587721500-1587724200@amplifymusic.org
SUMMARY:38 - Futures 15: Normalizing Digital Scarcity with Cherie Hu
DESCRIPTION:Futures 15: Normalizing Digital Scarcity\n						April 24\, 2020 | 9:45 AM PDT / 10:45 AM MDT / 11:45 AM CDT / 12:45 PM EDT\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Normalizing Digital Scarcity (Session 38)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Cherie Hu\n					Founder/Owner\, Water & Music; Music & Tech Columnist\, Billboard\, Forbes\, Music Business Worldwide\, New York\, NY\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Normalizing Digital Scarcity\nCherie Hu will talk about how the pandemic could be a turning point for normalizing digitally scarce goods and experiences. She’ll discuss disruptive effects (both positive and negative\, short- and long-term) of this sudden paradigm shift on how the music industry is structured and what fans expect from artists. I can also discuss one or two case studies of artists and entertainers who built sustainable businesses off of a notion of digital scarcity (pre-pandemic)\, and what we could learn from them. \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nWater & Music – Revue\n\n\nCherie Hu | music + tech + words\n\n\nLoopedlive\n\n\nCameo\n\n\nTravis Scott unveils $50 limited edition Reese’s Puffs cereal box\n\n\nCryptoKitties | Collect and breed digital cats!
URL:https://amplifymusic.org/event/38-futures-15-normalizing-digital-scarcity-with-cherie-hu/
CATEGORIES:Changing Social Norms,Futures,Futures 15,Tech As Live Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T074500
DTEND;TZID=America/Los_Angeles:20200424T081500
DTSTAMP:20260501T160543
CREATED:20200418T144535Z
LAST-MODIFIED:20200504T135809Z
UID:4320-1587714300-1587716100@amplifymusic.org
SUMMARY:35.1 - Livestreaming and Connected Experiences
DESCRIPTION:Livestreaming and Connected Experiences\n						April 24\, 2020 | 7:45 AM PDT / 8:45 AM MDT / 9:45 AM CDT / 10:45 AM EDT\n						\n						Watch Session on YouTubeConnect on Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Livestreaming and Connected Experiences (Session 35)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Dmitre Vietze\n					CEO\, rock paper scissors (tech and music PR firm); Founder\, rock paper scissors\, Bloomington\, IN\, US \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Emma McGann\n					Singer/Songwriter/Topline Writer\, Coventry\, West Midlands\, UK \n					\n					FacebookXLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Ari Evans\n					CEO/Founder\, Maestro\, Los Angeles\, CA\, USA \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Andy Levine\n					Founder\, Topeka\, Atlanta\, GA\, USA \n					Topeka.live \n					FacebookX\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Livestreaming and Connected Experiences\nMusic Tectonics has been connecting music innovators through its conference and now online events. They are bringing three innovators to the conversations who have been creating virtual experiences as artists and as platforms to help us have other places and spaces to connect with fans and share and experience music. \n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nMaestro\n\n\nTopeka\n\n\nEmma McGann\n\n\nLive Streaming Music: All Our Podcast Coverage\n\n\n			\n				\n				\n				\n				\n				Contacts:\n  \nEmma McGann: info@xmyheart.co.uk\nDmitri Vietze: music@rockpaperscissors.biz
URL:https://amplifymusic.org/event/35-1-livestreaming-local-and-global/
CATEGORIES:Panel,Recovery Economics,Tech As Live Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200424T034500
DTEND;TZID=America/Los_Angeles:20200424T041500
DTSTAMP:20260501T160543
CREATED:20200422T172515Z
LAST-MODIFIED:20200509T171755Z
UID:5606-1587699900-1587701700@amplifymusic.org
SUMMARY:28 - How the COVID-19 Crisis May Change the Format of Music Itself
DESCRIPTION:How the COVID-19 Crisis May Change the Format of Music Itself\n						April 24\, 2020 | 3:45 AM PDT / 4:45 AM MDT / 5:45 AM CDT / 6:45 AM EDT\n						\n						Watch Session on YouTube\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How the COVID-19 Crisis May Change the Format of Music Itself (Session 28)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Bas Grasmayer\n					Founder\, MUSIC x TECH x FUTURE\, Berlin\, Germany \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Tim Exile\n					Founder\, Endless\, London\, UK \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				How the COVID-19 crisis may change the format of music itself\nLooking at music’s history\, it has always been outside forces that dramatically changed the way we experience music and how music is made. Through anecdotes\, this talk explores how electric light\, iron casting\, mass consumerism\, and the internet all played a role in changing the format of music\, and how the current crisis may change music itself once again\, and the music business with it\, through social distancing\, localism\, and virtual experiences.\n			\n				\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				Links from the Session:\n  \n\n\nEndlesss App\n\n\nColin Benders – Modular Synths\n\n\nTim Exile’s Site\n\n\nMusic x Tech x Future
URL:https://amplifymusic.org/event/28-how-the-covid-19-crisis-may-change-the-format-of-music-itself/
CATEGORIES:Changing Social Norms,Futures,Panel,Tech As Live Experience
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20200423T171500
DTEND;TZID=America/Los_Angeles:20200423T174500
DTSTAMP:20260501T160543
CREATED:20200419T001525Z
LAST-MODIFIED:20200509T194229Z
UID:4294-1587662100-1587663900@amplifymusic.org
SUMMARY:09 - Music Education -- The Intertwining of Educational Disruption and Music Disruption
DESCRIPTION:Music Education\n						April 23\, 2020 | 5:15 PM PDT / 6:15 PM MDT / 7:15 PM CDT / 8:15 pm EDT\n						\n						Watch Session on YouTubeEngage in Slack\n					\n				\n					\n				\n				\n				\n			\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Education – The Intertwining of Educational Disruption and Music Disruption (Session 9)\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Frank Heuser\n					Professor\, Music Education\, UCLA Alpert School of Music\, Los Angeles\, CA\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Jami Duffy\n					Executive Director\, Youth on Record\, Denver\, CO\, USA \n					\n					XLinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Laura Clark\n					Director of Programs\, House of Blues Music Forward Foundation\, Las Vegas\, NV\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n					Kelsey Smith\n					Programs Director\, Young Musicians Foundation\, Los Angeles\, CA\, USA \n					\n					LinkedIn\n				\n			\n			\n				\n				\n				\n				\n			\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				\n				Music Education and Music Change\nMusic education is disrupted from its normal local delivery and relationships with schools and gatherings. We will share some local sagas and examples of how music education has been rethinking its delivery and its role/connection with the local music communities. \n			\n				\n				\n				\n				\n				Links from the Session:\n  \nYMF Online Music Academy\nYouth On Record\n			\n				\n				\n				\n				\n				Contacts:\n  \nKelsey Smith: Kelsey@ymf.org
URL:https://amplifymusic.org/event/09-music-education-the-intertwining-of-educational-disruption-and-music-disruption/
CATEGORIES:Changing Social Norms,Panel,Shared Lived Experiences,Social Fabric and Human Experience,Tech As Live Experience
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