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2 sessions,
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Music education is disrupted from its local delivery and relationships with schools and gatherings. We will share some local sagas and examples how music education has been rethinking its delivery and its role/connection with the local music communities.
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Dr. Santaella and the Malaysian singer-songwriter/multi-instrumentalist Azmyl Yundor will share what the pandemic has done to music and music ecosystems in Malaysia. |
8 sessions,
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Social distancing and stay-at-home orders have temporarily reconstructed where and how consumers enjoy music. When the bans and restrictions are lifted, how will our musical lives fit into spaces and places that have been altered by massive behavioural and regulatory shifts? What might be the challenges for cities in recovering from lockdowns, adapting to new relationships with national governments, truncated economies and new patterns of travel and communication.
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Looking at music's history, it has always been outside forces that dramatically changed the way we experience music and how music is made. Through anecdotes, this talk explores how electric light, iron casting, mass consumerism, and the internet all played a role in changing the format of music, and how the current crisis may change music itself once again, and the music business with it, through social distancing, localism, and virtual experiences.
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Join this panel of music connectors working across Latin America and hailing from Mexico, Columbia, and New York on how the music industry in Latin America is shifting and engaging across countries and communities.
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We will be joined by live and digital music leaders from Mexico, Argentina, and Chile who will be sharing their own challenges and experiences in re-thinking music performance and community in their own cultures and communities.
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With the shutdown of much of the industry, what is the effect on short-term opportunities like internships for those aspiring for careers in the music business? What does the landscape for hiring look like in the short and long terms now? What will various segments of the industry look like in terms of the number of jobs and the pathways to obtaining them?
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Cherie Hu will talk about how the pandemic could be a turning point for normalizing digitally scarce goods and experiences. She'll discuss disruptive effects (both positive and negative, short- and long-term) of this sudden paradigm shift on how the music industry is structured and what fans expect from artists. I can also discuss one or two case studies of artists and entertainers who built sustainable businesses off of a notion of digital scarcity (pre-pandemic), and what we could learn from them.
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Future of Higher Education in Music (Session 42.2)Future of Higher Education in Music As a result of COVID-19, higher education institutions were forced to quickly shift to online platforms, a massive disruption by itself. Universities which offered music business programs have ahead of them not only the task of re-adjusting from that shift and […]
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As we prepare for this event, protesters in different cities and countries are standing for their rights to leave their homes. What other rights are being challenged with tracking, reduction in anonymity, and freedom of speech? How does this impact future music-making and music-community? How will this affect how we organize and create? |
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